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2002 |
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Rated: PG-13 for violence, brief
language, some sexuality and drug content. |
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Genre: Science Fiction Drama Adventure |
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Directed By: Steven Spielberg |
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Running Time: 2:20 |
| Review
by: Felix Vasquez Jr. |
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Review Date: |
DVD Features:
Production Interview - 1. Steven Spielberg - Director
2. Tom Cruise - Star
Making-of - 1. MINORITY REPORT: From Story to Screen
Featurette - 1. DECONSTRUCTING MINORITY REPORT
2. THE STUNTS OF MINORITY REPORT
3. THE DIGITAL WORLD OF MINORITY REPORT
Scene Access
Interactive Menus
MINORITY REPORT ARCHIVES
Stills/Photos
Production Notes
Production Art
Storyboards
Biographies
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| If you like this,
try: The Fugitive, U.S. Marshalls, Enemy of the State, Bladerunner |
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MINORITY REPORT
(The future looks promising) |
Officer Fletcher: John,
don't run.
John Anderton: You don't have to chase me.
Officer Fletcher: But you don't have to run.
John Anderton: Everybody runs, Fletch. Everybody runs.
In the movie
it's the future (2054) and we now see Washington D.C. where a system known as
pre-crime is born. Pre-Crime is a new law system where people known as
pre-cognitive are used as machines which can foretell the future and predict a
major crime. Tom Cruise (Vanilla
Sky, Top Gun) plays John Anderton, one of the best officers who bust the
people who commit the pre-crimes. The system is perfect, flawless and it does
the job... but what happens when the system turns on you? Now, accused of
killing a man in thirty-six hours he doesn't know, he is now on the run from his
own task force and a Government official (Colin Farrell Daredevil, The
Recruit) who wants him at all costs.
The very few people who actually keep track of this site might know from
past reviews that I am a huge fan of Steven Spielberg's works. So, it was no
surprise I'd try and check this out as soon as possible. I became a little jaded
by his latest work "A.I." which was sub-par, gloomy, and very confusing. I had
my doubts going into this, but as I suspected I was in for a good time. This has
to be one of Spielberg's best ever; we instantly begin to become dazzled as
Spielberg leaves us in awe with an incredible world which seems to be a mix of
futuristic landscapes and skyscrapers mixed with small town suburbia and
old-fashioned houses. We also get an amazing view of the highways of the future
as cars not only drive along the ground but up on the sides of building into the
skies. The city is very overcome by computer -generated ads by fashion companies
and commercials that know our names and offer us products non-stop. We're also
kept under monitor as our eyes are scanned and indexed before we enter anyplace
from bathrooms to trains. We get this view of the new world which is beautiful
yet still very dangerous. The cast is phenomonal as Tom Cruise is at his top as
John Anderton. We believe he is in danger and never doubt his desperation. I
always question Tom Cruise as an actor, but this movie has proven me wrong. We
get excellent stunts performed by Cruise himself as he scrambles desperately
throughout the movie attempting to cheat a system that is basically uncheatable.
Colin Farrell is also truly excellent as Danny Witwer, the suspicious government
operative who questions the system's accuracy and will stop at nothing to catch
John.
The two plays off each other very well in action scenes and truly have
excellent chemistry as they throw dialogue back and forth to one another,
challenging each other's expertise. Max Von Sydow (The Exorcist, What Dreams
may come) is a great
compliment to this movie as Tom's Mentor and often his confidant helping him to
fight off the law. The movie makes itself out to be a man-on-the-run movie when
truly it is an intricate Hitchcockian murder mystery with plot twists and turns
at every corner that kept me on the edge of my seat. This movie is very
reminiscent of the golden era of movies where a thriller truly relied on
character emphasis and plot twists rather than cheap contrived plot devices.
Spielberg pulls out all the stops and is at his prime in this as he gives us
truly dramatic camera angles that only increase the movie's element of suspense
and atmosphere. Spielberg lets us know that he can do any type of movie as he
mends this movie into a masterpiece of art and acting.
The movie may not bode well with few
movie-goers as this movie relies alot more on plot and characters than actual
special-effects and action which is only a backdrop to a true story.
Ah, I remain loyal to Mr. Spielberg and
continue to follow his movies and bow to his skill as he honors the movies with
this masterpiece. It's a shocker, folks.
- Did You Know?
The man that looks over his newspaper and
spots John is director Cameron Crowe in a cameo. Also, the scene is an homage to
"The Fugitive".
- Did You Know?
The scene where Tom Cruise gets his eyes
clamped open before getting his eyes replaced is an homage to "Clockwork Orange"

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